The Guns (1964)
Released | 1964-06-01 | Drama | 85m | 7.3/10
Ruy Polanah (Assistant Director) | Cecil Thiré (Assistant Director) | Raimundo Higino (Production Director) | Ricardo Aronovich (Director of Photography) | Jarbas Barbosa (Producer) | Gilberto Perrone (Producer) | Ziraldo (Title Graphics) | Ruy Guerra (Editor) | Billy Davis (Production Manager) | Hugo Kusnet (Assistant Camera) | José Higino (Production Office Assistant) | Calazans Neto (Production Design) | Geraldo José (Sound) | Maria Adélia (Makeup & Hair) | Miguel Torres (Screenplay) | Moacir Santos (Original Music Composer) | Nelson Dantas (Production Assistant) | Saturno Cerra (Art Direction) | Eduardo Sidney (Sound Designer) | Pierre Pelegri (Screenplay) | Rubens Azevedo (Script Supervisor) | Wilmar Menezes (Production Assistant) | Rômulo Almeida (Production Assistant) | Afonso Henriques (Assistant Camera) |
A group of armed soldiers is sent to the Northeast of Brazil in an attempt to stop a famine-struck population from invading and stealing a food deposit in the dry backlands. While the alienation and insanity of people driven to hallucination by their latent hunger is conducted by the predictions of a religious figure, a truck driver observes the situation and remains torn between his friendship with the soldiers and his revolt against the lack of government action in fighting the misery that lingers over the region.
Átila Iório (Gaúcho) | Nelson Xavier (Mário) | Paulo César Peréio (Pedro) | Hugo Carvana (José) | Ivan Cândido (301) | Antônio Pitanga (Voice) | Leonidas Bayer (Sargento) | Maria Gladys (Luísa) | Ruy Polanah (Bar owner) | Joel Barcellos (Man with dead child) | Mauricio Loyola (Religious Man) | Cecil Thiré () | Maria Adélia () | Paulo Campos () | Hugo Kusnetzoff () | Maria Ligia () | Billy Davis () | Hugo Kusnet () |
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