Pan Tau (1970)
Ended | 1970-12-13 | Family | 30m | 6.6/10
Josef Vaniš (Director of Photography) | Jindřich Polák (Director) | Zdena Lukášová (First Assistant Director) | Ota Hofman (Story) | Jan Šuster (Production Manager) | Karel Škop (Production Manager) | Jiří Hlupý (Set Designer) | Jiří Rumler (Special Effects) | Jiří Bažant (Original Music Composer) | Milan Novotný (Sound) | Ivana Nevolová (Script) | Jiří Malásek (Original Music Composer) | Vlastimil Hála (Original Music Composer) | Jaroslav Bouček (Unit Production Manager) | Theodor Pištěk (Costume Design) | Zdeněk Stehlík (Editor) | Zuzana Máchová (Costumer) | František Belfín (Conductor) | Vladimír Petřina (Makeup & Hair) | Ladislav Winkelhöfer (Set Decoration) |
Pan Tau always had a gentle expression and a friendly smile, he was elegantly dressed in a stroller, with an umbrella and a white carnation in the lapel. Foremost, he was famous for his magic bowler hat. By tapping on his hat, Pan Tau was able to change his appearance into a puppet, to conjure up miscellaneous objects or to do other magic. His most characteristically behavior is that he would help children who were experiencing some sort of difficulties in-between their dreams and reality, like finding a place for skiing, settling family problems on Christmas, and even give a boy a good time at a fair when he is supposed to have piano lessons. To adults, he usually remained invisible.
Jan Werich (Pan Viola) | Otto Šimánek (Pan Tau) | František Filipovský (dědeček Urban) | Jiřina Bohdalová (Helena Urbanová) | Vladimír Menšík (Josef Urban) | Vlastimil Brodský (Málek) |