The Arrival (1996)
Released | 1996-05-31 | Thriller-Science Fiction | 115m | 6/10
Raman Hui (Animation Director) | David Twohy (Director) | Hiro Narita (Director of Photography) | Les Bernstien (VFX Director of Photography) | Claudia Becker (Casting Director) | Mark A. Shelton (VFX Director of Photography) | Richard Malzahn (VFX Director of Photography) | René Villarreal (First Assistant Director) | Russell j Lyster (VFX Director of Photography) | Isidore Mankofsky (Second Unit Director of Photography) | Jim Steele (Producer) | Thomas G. Smith (Producer) | Bob White (Visual Effects Compositor) | Dea Cantu (Script Supervisor) | Geno Hart (Transportation Coordinator) | Kim Urgel (Hairstylist) | Leo Behar (Dolly Grip) | Raman Rao (Gaffer) | Ted Field (Executive Producer) | Eddy Donno (Stunts) | Fred White (Best Boy Electric) | Gary Simon (Assistant Editor) | Jeff Burks (Visual Effects Supervisor) | Juan Ayala (Second Assistant Camera) | Marco Niro (Art Department Coordinator) | Ray Schaaf (Extras Casting) | Sam Citron (Assistant Editor) | Bob Marshak (Still Photographer) | David Lauer (CG Animator) | Eddie Braun (Stunt Double) | Jaime Ortiz (Key Costumer) | Jeff Jensen (Stunts) | Jongwoo Heo (3D Animator) | Marlo Pabon (Digital Compositor) | Rich Thorne (Visual Effects Supervisor) | Rita Morena (Stunts) | Wendy Range (Costume Supervisor) | Arleen Beaty (Assistant Editor) | Bennie Moore (Stunts) | Daniel Arkin (Visual Effects Editor) | David Farmer (Sound Designer) | David Jardon (Tailor) | David Tripet (Associate Producer) | Enrique Lara (Electrician) | Fernando Lau (Construction Coordinator) | Greg T. Moon (Assistant Makeup Artist) | Helen Meidel (Studio Teachers) | Hugh Waddell (Supervising Sound Editor) | Laura Seidel (Casting) | Marsha Lewis (Key Hair Stylist) | Mitch Carter (ADR Voice Casting) | Pat Swovelin (First Assistant Camera) | Regina Reyes (Assistant Hairstylist) | Shawn Whelan (Best Boy Grip) | Thomas Flynn (Costume Assistant) | Amy Pawlowski (Visual Effects Editor) | Arthur Kempel (Original Music Composer) | Brad Arensman (Post Production Supervisor) | Checco Varese (Steadicam Operator) | Daniel Sperry (Dolby Consultant) | David Jarrell (Gaffer) | Dennie Thorpe (Foley) | Dianna Stirpe (Dialogue Editor) | Eric Anderson (Camera Operator) | John Matthews (Rigging Gaffer) | Linda DeMarco (Color Timer) | Martin Hunter (Editor) | Maxine Morris (Assistant Hairstylist) | Melo Hinojosa (Set Decoration) | Patrice Laure (Set Dresser) | Robert Skotak (Visual Effects Supervisor) | Rogelio Rojas (Casting) | Scott Whitman (Aerial Camera Technician) | Sharon Hollis (Visual Effects Coordinator) | Steven Schalk (Property Master) | Brian Jennings (Visual Effects Supervisor) | Cirina Catania (Publicist) | Daniel Novotny (Draughtsman) | David B. Sharp (Visual Effects Supervisor) | Dee Whitehurst (Script Supervisor) | Gabriel Solana (Key Makeup Artist) | Harrison Gibbs (Assistant Editor) | Héctor Romero (Art Direction) | Javier Gunther (Music Editor) | John T. Martin (Key Grip) | Jorge Guerrero (Extras Casting) | Mary Jo Slater (Casting) | Mayes C. Rubeo (Costume Design) | Melissa Taylor (Visual Effects Producer) | P.K. MacCarthy (Storyboard Artist) | Robert W. Cort (Executive Producer) | Steve Iriguchi (Key Grip) | Carlos Munguía (Costume Assistant) | Carlos Sánchez (Electrician) | Enrique Cervera (Camera Loader) | Forrest Thurman (Second Assistant Camera) | Gilberto Cortes (Property Master) | Guillermo Rosas (Camera Operator) | Jeannie Johnson (Assistant Costume Designer) | Lawrence Lawson (Construction Foreman) | Lora Hirschberg (Sound Re-Recording Mixer) | Lorenzo O'Brien (Associate Producer) | Luis Amézquita (Draughtsman) | Michael Novotny (Production Design) | Randolph W. Day (Swing) | Rodney Montague (Visual Effects Producer) | Stephen A. Hope (Music Editor) | Buddy Joe Hooker (Stunt Coordinator) | Carlos Benassini (Draughtsman) | Felicity Bowring (Makeup Artist) | Francisco López (Leadman) | Frederico Tellez (Swing) | Jaime Rivas Ruiz (Set Designer) | John A. Johnston (Location Manager) | John M. Stephens (Aerial Camera) | Juan J. Valencia (Electrician) | Steve Brooksbank (Casting) | Alisa Christensen (Stunts) | Billy Hank Hooker (Stunts) | Brendan C. Fenton (Swing) | Carlos Gutiérrez (Set Dresser) | Ethan van der Ryn (Sound Effects Editor) | Francisco García (Draughtsman) | John T. Van Vliet (Visual Effects Supervisor) | Laurencio Cordero (Special Effects Coordinator) | Anthony R. Stabley (Art Direction) | Charles L. Finance (Visual Effects Producer) | Jean M. Cunningham (Lighting Supervisor) | Luis David Sansans (Camera Loader) | Tamara Goldsworthy (Camera Loader) | Elaine C. Andrianos (First Assistant Editor) | Gustavo Covarrubias (Key Grip) | Manuel Ordaz López (Swing) | Ricardo Covarrubias (Dolly Grip) | Campos Memo Granados (Assistant Property Master) | David LeRoy Anderson (Makeup Artist) | Heriberto Gutiérrez (First Assistant Camera) | Roberto 'Tito' Blasini (First Assistant Camera) | Carroll Timothy O'Meara (Assistant Editor) | Enrique Estévez Hermelindo (Set Decoration) | Eduardo Jesús Oviedo Vargas (Electrician) |
Zane Ziminski is an astrophysicist who receives a message that seems to have extraterrestrial origins. Eerily soon after his discovery, Zane is fired. He then embarks on a search to determine the origins of the transmission that leads him into a Hitchcockian labyrinth of paranoia and intrigue.
Charlie Sheen (Zane Zaminski) | Lindsay Crouse (Ilana Green) | Richard Schiff (Calvin) | Ron Silver (Phil Gordian) | Teri Polo (Char) | Phyllis Applegate (Mrs. Roosevelt) | Tony T. Johnson (Kiki) | Alan Coates (Terraformer) | Leon Rippy (DOD #1) | Buddy Joe Hooker (DOD #2) | Javier Morga (Co-worker) | David Villalpando (Cabbie) | María Luisa Coronel (Maid) | Mónica Dionne (Reporter #1) | Alejandro Usigli (Reporter #2) | Jacqueline Voltaire (Reporter #3) | Luisa Huertas (Security Woman) | Roger Cudney (JPL Official) | Shane (JPL Guard #1) | Dave Galasso (JPL Guard #2) | Georg Lillitsch (Computer Tech) | Catalina Botello (N.C.A.R. Woman) | David Sherrill (Lance (uncredited)) | Ángel de la Peña (Skeleton Man) |
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